Jesus' Son, the first collection of stories by Denis Johnson, presents a unique, hallucinatory vision of contemporary American life unmatched in power and immediacy, and marks a new level of achievement for this acclaimed writer. Set in the Midwest and West, they are narrated by a young man, an alcoholic and heroin addict, whose dependencies have led him to petty crime, cruelty, betrayal, and various kinds of loss. Many of them are centered around the Vine, a bar in an Iowa town where the narrator meets his friends and forms alliances "based on something erroneous, some basic misunderstanding that hadn't yet come to light". In "Work", he and another man vandalize an empty house, stripping it of electrical wire to sell for scrap; "Dirty Wedding" evokes the emotional scars of an abortion from an unusual viewpoint; in "Beverly Home", our hero finds himself spying on a Mennonite couple through their bedroom window. In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.

An instant New York Times bestseller, this “explosive biography” (People) of one of the most beloved and mysterious figures of the twentieth century is “as close as we’ll ever get to being inside J.D. Salinger’s head” (Entertainment Weekly).This “revealing” (The New York Times) and “engrossing” (The Wall Street Journal) oral biography, “fascinating and unique” (The Washington Post) and “an unmitigated success” (USA TODAY), has redefined our understanding of one of the most mysterious figures of the twentieth century. In nine years of work on Salinger, and especially in the years since the author’s death, David Shields and Shane Salerno interviewed more than 200 people on five continents, many of whom had previously refused to go on the record about their relationship with Salinger. This oral biography offers direct eyewitness accounts from Salinger’s World War II brothers-in-arms, his family members, his close friends, his lovers, his classmates, his neighbors, his editors, his publishers, his New Yorker colleagues, and people with whom he had relationships that were secret even to his own family. Their intimate recollections are supported by more that 175 photos (many never seen before), diaries, legal records, and private documents that are woven throughout; in addition, appearing here for the first time, are Salinger’s “lost letters”—ranging from the 1940s to 2008, revealing his intimate views on love, literature, fame, religion, war, and death, and providing a raw and revelatory self-portrait. The result is “unprecedented” (Associated Press), “genuinely valuable” (Time), and “strips away the sheen of [Salinger’s] exceptionalism, trading in his genius for something much more real” (Los Angeles Times). According to the Sunday Times of London, Salinger is “a stupendous work…I predict with the utmost confidence that, after this, the world will not need another Salinger biography.”

DISCOVER THE CULT CLASSIC - for brave readers of STEPHEN KING, J G BALLARD and DAVID FOSTER WALLACE. 'Superbly inventive' GUARDIAN 'Thrillingly alive, sublimely creepy, distressingly scary, breathakingly intelligent' BRETT EASTON ELLIS A young couple - Pulitzer Prize-winning journalist Will Navidson and his partner Karen Green - move into a small home on Ash Tree Lane. But something is terribly wrong - their house is bigger on the inside than it is on the outside. Neither Will nor Karen are prepared to face the consequences of this impossibility. What happens next is loosely recorded on videotapes and interviews, leading to a compilation of the definitive work on the events on Ash Tree Lane, unveiling a thrilling and terrifying history. Loose sheets, stained napkins and crammed notebooks prove to be far more than the ramblings of a crazy old man . . . For fans of Twin Peaks, Black Mirror, Stranger Things and IT. ___________________ WHAT READERS ARE SAYING: 'I've never read anything like it' 'Strange, highly addictive and slowly creepy' 'A book like no other' 'The creativity and originality is astonishing' 'Unreservedly recommended' 'Buy it, read it, and explore it' ___________________ Winner of the New York Public Library's Young Lions Fiction Award

An omnibus of three essential, darkly humorous novels from a master of his own, unique genre and an influential voice in contemporary literature. David Markson’s unique novels earned him praise from the likes of Kurt Vonnegut and David Foster Wallace, Ann Beattie and Zadie Smith. Markson created his own personal genre. With crackling wit distilled into incantatory streams of thought on art, life, and death, Markson’s work has delighted and astonished readers for decades. This essential collection brings together in one volume This Is Not a Novel, Vanishing Point, and The Last Novel. In This Is Not a Novel, readers meet an author, called only “Writer,” who is weary unto death of making up stories, and yet is determined to seduce the reader into turning pages and getting somewhere. Vanishing Point introduces us to “Author,” who sets out to transform shoeboxes crammed with note cards into a novel. In The Last Novel, we find an elderly author (referred to only as “Novelist”) who announces that, since this will be his final effort, he possesses “carte blanche to do anything he damn well pleases.” United by their focus on the trials, calamities, absurdities and even tragedies of the creative life, these novels demonstrate David Markson’s extraordinary intellectual richness—leaving readers, time after time, with the most indisputably original of reading experiences . . . “a drift toward the momentary reconciliation of art, intellect, and mortality” (Publishers Weekly).

A landmark book, “brilliant, thoughtful” (The Atlantic) and “raw and gorgeous” (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead.Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.

Winner of the 1997 James Laughlin Award of The Academy of American PoetsIn Donkey Gospel, his second collection of poems, Hoagland's generous effervescence and a jujitsu cleverness sparkle through line after line confronting negotiation and compromise, gender and culture, sex and rock music, sons and lovers, truth and beauty, and so forth. From the boy who speaks only in "Kung Fu" dialogue to the guy who visits a lesbian bar and sees his mother, this often funny and always thoughtful book of poems offers fresh, surprisingly frank meditations on the credentials for contemporary manhood.

In the Western Night brings together in one volume all of the poems to date, including many previously unpublished poems, of one of the most exciting and gifted poets writing today.

This powerful collection of stories, set in the mid-West among the lonely men and women who drink, fish and play cards to ease the passing of time, was the first by Raymond Carver to be published in the UK. With its spare, colloquial narration and razor-sharp sense of how people really communicate, the collection was to become one of the most influential literary works of the 1980s.