NATIONAL BESTSELLER • A NEW YORK TIMES MOST ANTICIPATED BOOK • A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist? "A lively, personal exploration of how one might think about the art of those who do bad things" —Vanity Fair “Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington Post "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is “part memoir, part treatise, and all treat” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?" Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

A beautiful picture book about hope, change and the passing of time. Winner of the Caldecott Medal 2019.On the highest rock of a tiny island at the edge of the world stands a lighthouse. From dusk to dawn, the lighthouse beams, sending its light out to sea, guiding the ships on their way. As the seasons pass and the waves rise and fall, outside, the wind blows; inside, the lighthouse keeper writes, and the rhythms of his life unfold. But change is on the horizon...With beautiful illustrations from Sophie Blackall - the artist behind New York Times bestseller, Finding Winnie."I will be surprised if a more exquisite picture book is published this year" - New York Times"A jewel of a creation" - Publishers Weekly

Lighthouse is packed with extraordinary stories of human innovation, desperate shipwrecks, builders defying the elements and heroic sea rescues. Through more than 350 gorgeous vintage images and historic details, Lighthouse brings the golden age of seafaring alive. With rare archival blueprints and stories of daring adventure, Lighthouse captures the romance and awe-inspiring history of these isolated, life-saving towers, along with the incredible feats of engineering and invention it took to create them. Beginning in the 18th century and ending in the mid-19th century, this book examines these iconic buildings from every angle, chronicling the evolution of lighthouse design; the tremendous obstacles overcome during construction and upkeep; the thrilling tales of heroism and mercilessness of the seas; and the daily lives of the dedicated and often long-suffering keepers. With over 350 illustrations, this seasonless gift book provides the tales and original architectural plans for beloved lighthouses found throughout the world, including Eddystone, Sandy Hook, Montauk Point, Stannard Rock, Borkum Grosser, Green Point, Tillamook Rock, Cape Hatteras, Erie Harbor, and many more.

In his follow-up to Lunatic Heroes, Martignetti sheds all defenses to reveal the viscera of a mind shaped by the dark and confusing forces of his childhood. This collection of memoirs and essays focuses mainly on Martignetti's adult years, and features the pivotal characters of his ever-entertaining personal narrative. From the cascade of memories and emotions triggered by an accidental butterfly killing in "Cocoon Talk," to the homicidal impulses prompted by a visit to his boyhood home in "Sign," from the heartbreaking to the hilarious musings inspired by beloved pets in "Mochajava" and "Dog," and throughout the uncensored sexcapades of "Mad," "The Wild," and "Feast of the Hungry Ghost," Martignetti's colloquial, humorous, and intimate style will keep you riveted, crack you open, enthrall and embrace you with an honesty normally reserved for not even the closest of friends.

""The first of my father's illusions was that bears could survive the life lived by human beings, and the second was that human beings could survive a life led in hotels.""So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the myriad strange and wonderful times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they "dream on" in a funny, sad, outrageous, and moving novel by the remarkable author of "A Widow for One Year" and "The Cider House Rules,"

Listen to the brand new dramatisation of How To Be a Woman, narrated by Caitlin herself, as part of BBC Radio 4's Riot Girls season Selected by Emma Watson for her feminist book club ‘Our Shared Shelf’It's a good time to be a woman: we have the vote and the Pill, and we haven't been burnt as witches since 1727. However, a few nagging questions do remain... Why are we supposed to get Brazilians? Should we use Botox? Do men secretly hate us? And why does everyone ask you when you're going to have a baby? Part memoir, part rant, Caitlin answers the questions that every modern woman is asking.

Here is the inimitable Zen Master Seung Sahn up close and personal—in selections from the correspondence that was one of his primary modes of teaching. Seung Sahn received hundreds of letters per month, each of which he answered personally, and some of the best of which are included here. His frank and funny style, familiar to readers of Dropping Ashes on the Buddha, is seen here in a most intimate form. The beloved Zen master not only answers questions on Zen teaching and practice, but applies an enlightened approach to problems with work, relationships, suffering, and the teacher-student relationship.

I can think of few writers who can make the ordinary collide with the extraordinary to such beguiling effect...left me so fizzing with admiration' ObserverA stunning collection of short stories by the three-times Costa prizewinner Not the End of the World is Kate Atkinson's first collection of short stories. Playful and profound, they explore the world we think we know whilst offering a vision of another world which lurks just beneath the surface of our consciousness, a world where the myths we have banished from our lives are startlingly present and where imagination has the power to transform reality.From Charlene and Trudi, obsessively making lists while bombs explode softly in the streets outside, to gormless Eddie, maniacal cataloguer of fish, and Meredith Zane who may just have discovered the secret to eternal life, each of these stories shows that when the worlds of material existence and imagination collide, anything is possible.

Scottish artist Andy Goldsworthy uses a seemingly infinite array of purely natural materials, from snow and ice to leaves, stone, and twigs in the creation of his one-of-a-kind sculptures. Unlike such artists as Christo and Michael Hiezer, whose works leave definite marks on the landscape, Goldsworthy's approach is to interrupt, shape, or in some other way temporarily alter or work with nature to produce his fragile, mutable pieces. To create "Broken Icicle," for example, Goldsworthy was only able to work on the sculpture in the early morning, when temperatures were below freezing. As with most of his works, ultimately, the materials used to create this piece returned to their natural state, leaving no trace of the artwork's existence save for the stunning photos in this book.

This seductive sourcebook of rare visual delights from pre-Nazi, Cabaret-period “Babylon on the Spree” has the distinction of being praised both by scholars and avatars of contemporary culture, inspiring hip club goers, filmmakers, gay historians, graphic designers, and musicians like the Dresden Dolls and Marilyn Manson.This expanded edition includes “Sex Magic and the Occult,” documenting German pagan cults and their often-bizarre erotic rituals, including instructions for entering into the “Sexual Fourth Dimension.”Mel Gordon is professor of theater at the University of California, Berkeley, and is also the author of Erik Jan Hanussen: Hitler’s Jewish Clairvoyant (Feral House).