Том О'Нил и Дэн Пипенбринг собрали все известные факты о преступлениях которые совершили люди из окружения Чарльза Мэнсона и добавив свое личное мнение касательно этого дела написали книгу "Chaos: Charles Manson, the CIA and the Secret History of the Sixties".

One night in Rome, Robert Thorn, American diplomat, exchanges his still-born son for a newborn orphan.

Orca--the killer whale--is one of the most intelligent creatures in the universe. He hunts in packs, like a wolf. Incredibly, he is the only animal other than man who kills for revenge. He has one mate, and if she is harmed by man, he will hunt down that person with a relentless, terrible vengeance--across seas, across time, across all obstacles.

Endless Highway provides a raucous ride down the road that has been David Carradine's life. The son of a world-renowned Shakespearean actor, Carradine's early years were spent being shuttled from mother to estranged father to relative to boarding school to reformatory. Spontaneity, quick-wittedness, and ingenuousness were his guideposts in life, and he quickly learned that creativity was survival. The fifties found him in San Francisco among the original members that spawned the Beat Generation, and his path through the drug-flooded sixties and seventies ultimately led him to "Kung Fu", the show that helped launch an Eastern spiritual philosophy into Western culture. Writing with warmth, humor, and tremendous insight, Carradine provides an honest and in-depth look at his life. Had Holden Caulfield grown up, met Hunter S. Thompson, gone on the road with Jack Kerouac, and finally studied with Master Po - well, perhaps that would embrace the spirit of Carradine's own writing style. He has been, in his own words, fraud, genius, holy man, movie star, martyr, monster, fool, hero, whore, neurotic, poet, burnout, beauty, beast - but always a legend.

Young Alex Hamilton is intelligent and independent but given to sudden fits of violent rage. Rebellious since his parents split up, Alex is constantly absconding from foster homes and institutions to be with his father, a broken man who can't give his son the home he desperately needs. Surrounded by well-meaning, over-worked social workers, vicious and cruel authority figures but always by no good peers, Alex is on a collision course with the law and himself.

The epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever It's the mid-1960s, and westerns, war movies and blockbuster musicals-Mary Poppins, The Sound of Music-dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all. By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate, which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night, movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go. What City of Nets did for Hollywood in the 1940s and Easy Riders, Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all. The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself.

Den dødsfikserede unge mand Harolds største fornøjelse er at gå til begravelser. Her møder han den 80-årige Maude med samme interesse, og et både sært og tæt venskab udvikler sig

С момента своей первой публикации в 1992 году "Men, Women, and Chain Saws" предлагает новаторский взгляд на творчество и влияние фильмов ужасов с середины 1970-х годов.