“I loved every single page.” —Elton John “The best piece of nature writing since H is for Hawk.” —Neil Gaiman ​In this moving, critically acclaimed memoir, a young man saves a baby magpie as his estranged father is dying, only to find that caring for the mischievous bird saves him.One spring day, a baby magpie falls out of its nest and into Charlie Gilmour’s hands. Magpies, he soon discovers, are as clever and mischievous as monkeys. They are also notorious thieves, and this one quickly steals his heart. By the time the creature develops shiny black feathers that inspire the name Benzene, Charlie and the bird have forged an unbreakable bond. While caring for Benzene, Charlie learns his biological father, an eccentric British poet named Heathcote Williams who vanished when Charlie was six months old, is ill. As he grapples with Heathcote’s abandonment, Charlie comes across one of his poems, in which Heathcote describes how an impish young jackdaw fell from its nest and captured his affection. Over time, Benzene helps Charlie unravel his fears about repeating the past—and embrace the role of father himself. A bird falls, a father dies, a child is born. Featherhood is the unforgettable story of a love affair between a man and a bird. It is also a beautiful and affecting memoir about childhood and parenthood, captivity and freedom, grief and love.

The first two volumes chronicling the unique art and design of Roger Dean met with huge critical and popular success. Views (1975) went straight to number one in the Sunday Times bestseller list and went on to sell over a million copies. Magnetic Storm (1984) sold over 650,000 copies. These new editions, reworked to accompany the publication of the third book in the trilogy, Dragon's Dream, showcase the instantly recognizable work of Roger Dean. Views showcases the first seven years of Roger Dean's work after his graduation from the Royal College of Art in 1968. It includes paintings and graphics; branding such as the Yes typography and the first Virgin Records logo; groundbreaking stage sets; and album art including iconic early Yes covers such as the award-winning Tales From Topographic Oceans. The new edition streamlines the original square format and retains the combination of concept sketches and brilliantly displayed finished work. Featuring a new foreword, revised typography, and graphic openers and identifying icons, Views showcases and celebrates the art that defined an era.

Internationally bestselling author Audrey Niffenegger and her husband, graphic artist Eddie Campbell, collaborate on this quirky, irreverent collection that celebrates and satirises love of all kinds. With thirteen different vignettes about love, loss, fairies, misbehaviour, regret, wanton wrongheadedness, cats, supernatural exterminators, spies, ghosts, more cats, more fairies, and a handful of ex-boyfriends, Bizarre Romance runs the gamut when it comes to relationships. It explores the good, the bad, the ugly and the just plain weird – with Niffenegger's sharp, imaginative prose and Campbell's diverse comic styles, always with a sense of humour and cosmic justice.

NOW A MAJOR MOTION PICTURE FROM STUDIO GHIBLI AND ANIME MASTER HAYAO MIYAZAKI (SPIRITED AWAY, MY NEIGHBOR TOTORO, HOWL'S MOVING CASTLE) "In How Do You Live?, Copper, our hero, and his uncle are our guides in science, in ethics, in thinking. And on the way they take us, through a school story set in Japan in 1937, to the heart of the questions we need to ask ourselves about the way we live our lives. We will experience betrayal and learn about how to make tofu. We will examine fear, and how we cannot always live up to who we think we are, and we learn about shame, and how to deal with it. We will learn about gravity and about cities, and most of all, we will learn to think about things -- to, as the writer Theodore Sturgeon put it, ask the next question." -- from the Foreword by Neil Gaiman This bestselling English-language translation of the Japanese classic about finding one's place in the world is perfect for readers of philosophical fiction like Sophie's World, The Alchemist, or The Little Prince, as well as Miyazaki fans eager to learn more about his favorite book and final film.

'Will undoubtedly become a classic narrative of this scenically magnificent, legend-rich and geologically unique part of Scotland' Cameron McNeish, The Herald Rising a kilometre out of the storm-scoured waters around Scotland's Isle of Skye is a dark battlement of pinnacles and ridgelines: the Cuillin. Plagued by ferocious weather and built from rock that tears skin and confounds compasses, a crossing of the Cuillin is the toughest mountaineering expedition in the British Isles. But the traverse is only part of its lure. Hewn from the innards of an ancient volcano, this mountain range stands like a crown on an island drenched in intrigue. While nineteenth-century climbers flocked to the Alps, the ridge lay untrodden and unyielding. When a generation of mountaineers did come, they found a remarkable prize: the last peaks of Britain to be climbed - peaks that would be named after those who climbed them. Along the way, many others, from artists and poets to mystics and wanderers, have been lured by the Cuillin's haunting beauty and magic. Those who have been seduced by the deadly magic of these mountains attest to the complexity of humans' relationship with the intrigue of our wildest, most dangerous places.The Black Ridge is a journey through the history and into the heights of the Cuillin of Skye - from the ridge's violent birth to the tales of its pioneers, its thrills, its myths and its monsters. From a night spent in a cave beneath its highest peak to the ascent of its most infamous pinnacle, this is an adventure on foot through all seasons across the most mesmerising mountain range in Britain.

'His spectacular inventiveness makes the Discworld series one of the perennial joys of modern fiction' Mail on SundayNAMED AS ONE OF THE BBC'S 100 MOST INSPIRING NOVELS The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . . ____________________In the beginning there was…a turtle.Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place which might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules.But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.Unfortunately, the person charged with maintaining that survival in the face of robbers, mercenaries and, well, Death, is a spectacularly inept wizard…____________________The Discworld novels can be read in any order but The Colour of Magic is the first book in the Wizards series.

Rudyard Kipling's "The Jungle Book" is a childhood classic that has seen many adaptations since it was first published. This is the original 1894 edition that started it all. It includes the original illustrations which introduced the imagination of Kipling to a generation of readers. While many know Mowgli and Baloo and other beloved favorites from the movies, many parents will enjoy presenting the original tale to their children almost exactly the way young people enjoyed it from the beginning. In fact, this original edition also includes illustrations that were drawn by Rudyard Kipling's own father. This 1894 reprint edition will be a family heirloom for generations to come.

Sell the cemetery?Over their dead bodies . . . Not many people can see the dead (not many would want to). Twelve-year-old Johnny Maxwell can. And he's got bad news for them: the council want to sell the cemetery as a building site. But the dead have learnt a thing or two from Johnny. They're not going to take it lying down . . . especially since it's Halloween tomorrow. Besides, they're beginning to find that life is a lot more fun than it was when they were . . . well . . . alive. Particularly if they break a few rules . . .The second book in the Johnny Maxwell trilogy.

How can anyone describe this book? It isn't a parable, a fairy story or a poem, but rather a mixture of all three. It is beautiful and it is comic. It is philosophical and it is cheery. What we suppose we are trying fumblingly to say is, in a word, that it is Thurber. There are only a few reasons why everybody has always wanted to read this kind of story, but they are basic: Everybody has always wanted to love a Princess. Everybody has always wanted to be a Prince. Everybody has always wanted the wicked Duke to be punished. Everybody has always wanted to live happily ever after. Too little of this kind of thing is going on in the world today. But all of it is going on valorously in "The 13 Clocks.

A book for lovers of all things Italian -- an homage to the city of Trieste. This history-drenched city on the Adriatic has always tantalized Jan Morris with its moodiness and changeability. After visiting Trieste for more than half a century, she has come to see it as a touchstone for her interests and preoccupations: cities, seas, empires. It has even come to reflect her own life in its loves, disillusionments, and memories. Her meditation on Trieste is characteristically layered with history and glows with stories of famous visitors from James Joyce to Sigmund Freud. A lyrical travelogue, Trieste and the Meaning of Nowhere is also superb cultural history and the culmination of a singular career -- "an elegant and bittersweet farewell" (Boston Globe).