When I was a teenager, I used GHS strings because I was from Michigan, and they were made in Michigan. I liked the nickel ones because they sounded a little bit different. But I stopped caring when I was 19 or 20 years old. Everyone always asks, 'Do you like .009s or .010s?' I have no preference, because I can’t decide if I want to make it easier or harder on myself. I usually choose to make things harder on myself, but I don’t know when it comes to strings. Lighter strings might actually be harder for me to play, because I hit them so hard. I bend them too easily, and break them all the time. I leave it to chance. I always just tell whoever is putting the strings on to do whatever they want. I won’t even notice.

I had a Bigsby installed [on the Gretsch Anniversary Jr.], and I put in an old mute, too. When you pull a lever, the mute comes up and dampens the strings.

As you can see Jack is using a pair of 1485 silvertone amps and a fender twin reverb. What you might not see hiding in the background is what appears to be a fender bassman to the right of the silvertone pair.

Alongside the 60s, 70s and Re-Iusse Twins, he uses a 50s Twin too.

When asked about his The Dead Weather rig, Jack white says "the amp is a Fender Twin Reverb—no Silvertone, like in the White Stripes." In the Northern Lights DVD, Jack White uses the amp combo and says "that’s so I get the crunch and the reverb at the same time. The Silvertone’s reverb is horrible, so I just use it for the thick, Jensen-speaker crunch that only a Silvertone can produce. No other amp can sound like that. I use the Fender for the reverb. It’s the best. A Silvertone and a Fender make a great combination

Digitech Whammy DT can be seen at one of the 2017 tour photos. The pedal was mentioned in the 2019 Premier Guitar interview.

In this photo of Jack White's pedalboard there appears to be an Eventide H9 Max Multi-Effects Pedal.

Jack White has been known for using many a fuzz pedals through out the years. During the White Stripes era, Jack White can be seen using the Electro-Harmonix Big Muff with Tone Wicker.

The Boss TU-2 Chromatic Tuner has been used in all of Jack White's pedalboards for the White Stripes, the Raconteurs, and the Dead Weather.

The Electro-Harmonix Nano Bassballs is used in Jack White's Raconteur and the Dead Weather pedalboards. This envelope filter effect is prominent in the Raconteurs song "Salute Your Solution".

Jack White used the Z-Vex Wooly Mammoth Bass Effects Pedal in the James Bond film "The Quantum Solace". White also uses the Wooly Mammoth with The Dead Weather.

The Voodoo Lab Tremolo Pedal is mainly used in Jack White's pedalboard for The Dead Weather.