Emma Forrest, an English journalist, was twenty-two and living in America when she realised that her quirks had gone beyond eccentricity. Lonely, in a dangerous cycle of self-harm and damaging relationships, she found herself in the chair of a slim, balding and effortlessly optimistic psychiatrist - a man whose wisdom and humanity would wrench her from the vibrant and dangerous tide of herself, and who would help her to recover when she tried to end her life. Emma's loving and supportive family circled around her in panic. She was on the brink of drowning. But she was also still working, still exploring, still writing, and she had also fallen deeply in love. One day, when Emma called to make an appointment with her psychiatrist, she found no one there. He had died, shockingly, at the age of fifty-three, leaving behind a young family. Processing the premature death of a man who'd become her anchor after she'd turned up on his doorstep, she was adrift. And when her significant and all-consuming relationship also fell apart, she was forced to cling to the page for survival. A modern-day fairy tale of New York, Your Voice in My Head is a dazzling and devastating memoir, clear-eyed and shot through with wit. In a voice unlike any other, Emma Forrest explores breakdown and mania, but also the beauty of love - and the heartbreak of loss.

‘A psychologically smart debut that swathes teen desire and friendship in mystery and mirth’ Observer ‘Like a twisted Malory Towers or maybe a cosmic version of ‘Heathers’’ Daily Mail ‘Funny, whip-smart and transcendently wise’ Jenny Offill ‘The love child of Donna Tartt and Tana French’ Chloe Benjamin One year ago, the person Olivia adores most in the world, her father, left home for a meditation retreat in the mountains and never returned. Yearning to make sense of his shocking departure, Olivia runs away from home and retraces his path to a place known as the Levitation Center. There, she enrolls in their summer program for troubled teens, a ‘Buddhist Boot Camp for Bad Girls’, and finds herself drawn into the company of a close-knit trio of girls determined that this is the summer they will finally learn to levitate, to defy the weight of their bodies, to experience ultimate lightness. But as desire and danger intertwine, and Olivia comes ever closer to discovering what a body – and a girl – is capable of, it becomes increasingly clear that this is an advanced and perilous practice, and there’s a chance not all of them will survive... ‘A beautiful meditation on meditation...populated with girls who refuse to act the way they’re expected to; who have too much passion, too many feelings and nowhere to put them’ New York Times ‘A disquieting and astute reflection on desire, truth, friendship and the siren call of weightlessness’ Daily Mail ‘A darkly funny, luminously drawn mystery’ Téa Obreht, author of Inland and The Tiger’s Wife ‘This remarkable novel is made up of equal parts desire and dread’ Garth Greenwell, author of What Belongs to You ‘A bold, smart, hilarious new voice. A classic must read!’ Mary Karr, author of Lit

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE, ENTERTAINMENT WEEKLY, NPR, ESQUIRE, AND KIRKUS“There’s some kind of genius sorcery in this novel. It’s startlingly original, hilarious and harrowing by turns, finally transcendent. Watkins writes like an avenging angel. It's thrilling and terrifying to stand in her wake.” —Jenny Offill, author of Dept. of Speculation and Weather A darkly funny, soul-rending novel of love in an epoch of collapse—one woman’s furious revisiting of family, marriage, work, sex, and motherhood.Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. Her temporary escape from domestic duties and an opportunity to reconnect with old friends mutates into an extended romp away from the confines of marriage and motherhood, and a seemingly bottomless descent into the past. Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history; her mother, whose native spark gutters with every passing year. She can’t go back in time to make any of it right, but what exactly is her way forward? Alone in the wilderness, at last she begins to make herself at home in the world. Bold, tender, and often hilarious, I Love You but I’ve Chosen Darkness reaffirms Watkins as one of the signal writers of our time.

A BELLETRIST BOOK CLUB PICK “Halperin’s radiant second novel walks the fine line between the longing for couplehood and the torture of codependency. . . . Let the rapturous intimacy and gut-churning ups and downs begin!” —Leigh Haber, The New York Times Book ReviewBy the award-winning author of Something Wild, a gripping portrait of a tumultuous, consuming relationship between a young woman and a recovering addictWhen Leah Kempler meets Charlie Nelson in line at the grocery store, their attraction is immediate and intense. Charlie, with his big feelings and grand proclamations of love, captivates her completely. But there are peculiarities of his life—he’s older than her but lives with his parents; he meets up with a friend at odd hours of the night; he sleeps a lot and always seems to be coming down with something. He confesses that he’s a recovering heroin addict, but he promises Leah that he’s never going to use again.Leah's friends and family are concerned. As she finds herself getting deeper into an isolated relationship, one of manipulation and denial, the truth about Charlie feels as blurry as their time together. Even when Charlie’s behavior becomes increasingly erratic, when he starts to make Leah feel unsafe, she can’t help but feel that what exists between them is destined. Charlie is wide open, boyish, and unbearably handsome. The bounds of Leah’s own pain—and love—are so deep that she can’t see him spiraling into self-destruction.Hanna Halperin writes with aching vulnerability and intimacy, sharply attuned to Leah’s desire for an all-consuming, compulsive connection. I Could Live Here Forever exposes the chasm between perception and truth to tell an intoxicating story of one woman’s relationship with an addict, the accompanying swirl of compassion and codependence, and her enduring search for love and wholeness.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • NEW YORK TIMES BEST SELLER • From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking: a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. With a forward by Hilton Als, these twelve pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as "an articulate witness to the most stubborn and intractable truths of our time" (The New York Times Book Review). Here, Didion touches on topics ranging from newspapers ("the problem is not so much whether one trusts the news as to whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "Why I Write," Didion ponders the act of writing: "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means." From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient.

The “dazzling” and essential portrayal of 1960s America from the author of South and West and The Year of Magical Thinking (The New York Times). Capturing the tumultuous landscape of the United States, and in particular California, during a pivotal era of social change, the first work of nonfiction from one of American literature’s most distinctive prose stylists is a modern classic. In twenty razor-sharp essays that redefined the art of journalism, National Book Award–winning author Joan Didion reports on a society gripped by a deep generational divide, from the “misplaced children” dropping acid in San Francisco’s Haight-Ashbury district to Hollywood legend John Wayne filming his first picture after a bout with cancer. She paints indelible portraits of reclusive billionaire Howard Hughes and folk singer Joan Baez, “a personality before she was entirely a person,” and takes readers on eye-opening journeys to Death Valley, Hawaii, and Las Vegas, “the most extreme and allegorical of American settlements.” First published in 1968, Slouching Towards Bethlehem has been heralded by the New York Times Book Review as “a rare display of some of the best prose written today in this country” and named to Time magazine’s list of the one hundred best and most influential nonfiction books. It is the definitive account of a terrifying and transformative decade in American history whose discordant reverberations continue to sound a half-century later.

When Hilton was just a boy, his grandmother sacrificed her life to save him from drowning. Thirty years later, he begins to suspect that he was never meant to survive that accident, and that dark forces are working to rectify that mistake. When Hilton's wife, the only elected African-American judge in Dade County, FL, begins to receive racist hate mail, he becomes obsessed with protecting his family. Soon, however, he begins to have horrible nightmares, more intense and disturbing than any he has ever experienced. Are the strange dreams trying to tell him something? His sense of reality begins to slip away as he battles both the psychotic threatening to destroy his family and the even more terrifying enemy stalking his sleep. Chilling and utterly convincing, The Between follows the struggles of a man desperately trying to hold on to the people and life he loves, but may have already lost. The compelling plot holds readers in suspense until the final, profound moment of resolution.

Roses, pleasure and politics: a fresh take on Orwell as an avid gardener, whose political writing was grounded in his passion for the natural world.'I loved this book... An exhilarating romp through Orwell's life and times' Margaret Atwood'Expansive and thought-provoking' IndependentOutside my work the thing I care most about is gardening - George OrwellInspired by her encounter with the surviving roses that Orwell is said to have planted in his cottage in Hertfordshire, Rebecca Solnit explores how his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power.Following his journey from the coal mines of England to taking up arms in the Spanish Civil War; from his prescient critique of Stalin to his analysis of the relationship between lies and authoritarianism, Solnit finds a more hopeful Orwell, whose love of nature pulses through his work and actions. And in her dialogue with the author, she makes fascinating forays into colonial legacies in the flower garden, discovers photographer Tina Modotti's roses, reveals Stalin's obsession with growing lemons in impossibly cold conditions, and exposes the brutal rose industry in Colombia.A fresh reading of a towering figure of the 20th century which finds solace and solutions for the political and environmental challenges we face today, Orwell's Roses is a remarkable reflection on pleasure, beauty, and joy as acts of resistance.'Luminous...It is efflorescent, a study that seeds and blooms, propagates thoughts, and tends to historical associations' New Statesman'A genuinely extraordinary mind, whose curiosity, intelligence and willingness to learn seem unbounded' Irish Times

#ReadWithJenna Book Club Pick as Featured on TodayEmma Roberts Belletrist Book Club PickA New York Times Book Review’s Group Text Selection"I loved this book not just from the first chapter or the first page but from the first paragraph... The voice is just so honest and riveting and insightful about creativity and life." —Curtis Sittenfeld An extraordinary new novel of art, love, and ambition from Lily King, the New York Times bestselling author of EuphoriaFollowing the breakout success of her critically acclaimed and award-winning novel Euphoria, Lily King returns with another instant New York Times bestseller: an unforgettable portrait of an artist as a young woman.Blindsided by her mother’s sudden death, and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she’s been writing for six years. At thirty-one, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life. When she falls for two very different men at the same time, her world fractures even more. Casey’s fight to fulfill her creative ambitions and balance the conflicting demands of art and life is challenged in ways that push her to the brink.Writers & Lovers follows Casey—a smart and achingly vulnerable protagonist—in the last days of a long youth, a time when every element of her life comes to a crisis. Written with King’s trademark humor, heart, and intelligence, Writers & Lovers is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another.