From the editor of the widely praised The Landmark Thucydides, a new Landmark Edition of The Histories by Herodotus.Cicero called Herodotus "the father of history," and his only work, The Histories, is considered the first true piece of historical writing in Western literature. With lucid prose, Herodotus's account of the rise of the Persian Empire and its dramatic war with the Greek city sates set a standard for narrative nonfiction that continues to this day. Illustrated, annotated, and filled with maps—with an introduction by Rosalind Thomas, twenty-one appendices written by scholars at the top of their fields, and a new translation by Andrea L. Purvis—The Landmark Herodotus is a stunning edition of the greatest classical work of history ever written.

A splendid new edition of a modern classic, illustrated with paintings, prints, engravings, battle plans, and photographs, and featuring a new introduction by the author. Illustrated.

A global catastrophic risk is one with the potential to wreak death and destruction on a global scale. In human history, wars and plagues have done so on more than one occasion, and misguided ideologies and totalitarian regimes have darkened an entire era or a region. Advances in technology are adding dangers of a new kind. It could happen again. In Global Catastrophic Risks 25 leading experts look at the gravest risks facing humanity in the 21st century, including asteroid impacts, gamma-ray bursts, Earth-based natural catastrophes, nuclear war, terrorism, global warming, biological weapons, totalitarianism, advanced nanotechnology, general artificial intelligence, and social collapse. The book also addresses over-arching issues - policy responses and methods for predicting and managing catastrophes. This is invaluable reading for anyone interested in the big issues of our time; for students focusing on science, society, technology, and public policy; and for academics, policy-makers, and professionals working in these acutely important fields.

Martha Gellhorn (1908-1998) was a war correspondent for nearly fifty years. From the Spanish Civil War in 1937 through the wars in Central America in the mid-eighties, her candid reports reflected her feelings for people no matter what their political ideologies, and the openness and vulnerability of her conscience. "I wrote very fast, as I had to," she says, "afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place." Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. Collected here together for the first time, The Face of War is what The New York Times called "a brilliant anti-war book."

In riveting and revelatory detail, Aftermath documents the ways in which wars have transformed the terrain of the battlefield into landscapes of memory and enduring terror: in France, where millions of acres of farmland are cordoned off to all but a corps of demolition experts responsible for the undetonated bombs and mines of World War I that are now rising up in fields, gardens, and backyards; in a sixty-square-mile area outside Stalingrad that was a cauldron of destruction in 1941 and is today an endless field of bones; in the Nevada deserts, where America waged a hidden nuclear war against itself in the 1950's, the results of which are only now becoming apparent; in Vietnam, where a nation's effort to remove the physical detritus of war has created psychological and genetic devastation; in Kuwait, where terrifyingly sophisticated warfare was followed by the Sisyphean task of making an uninhabitable desert capable of sustaining life.Aftermath excavates our century's darkest history, revealing that the destruction of the past remains deeply, inextricably embedded in the present.

This is the untold story of the small group of men who have devised the plans and shaped the policies on how to use the Bomb. The book (first published in 1983) explores the secret world of these strategists of the nuclear age and brings to light a chapter in American political and military history never before revealed.

In the summer of 1579 Francis Drake and all those aboard the Golden Hind were in peril. The ship was leaking and they were in search of a protected beach to careen the ship to make repairs. They searched the coast and made landfall in what they called a 'Fair and Good Bay', generally thought to be in California. They stacked the treasure they had recently captured from the Spanish onto on this sandy shore, repaired the ship, explored the country, and after a number of weeks they set sail for home. When they returned to England, they became the second expedition to circumnavigate the earth, after Magellan's voyage in 1522, and the first to return with its commander. Thunder Go North unravels the mysteries surrounding Drake's famous voyage and summer sojourn in this bay. Comparing Drake's observations of the Natives' houses, dress, foods, language, and lifeways with ethnographic material collected by early anthropologists, Melissa Darby makes a compelling case that Drake and his crew landed not in California but on the Oregon coast. She also uncovers the details of how an early twentieth-century hoax succeeded in maintaining the California landing theory and silencing contrary evidence. Presented here in an engaging narrative, Darby's research beckons for history to be rewritten.

Speer, the Minister of Armaments and War Production under Hitler, the man who had kept Germany armed and the war machine running even after Hitler's mystique had faded, takes a brutally honest look at his role in the war effort, giving readers a complete view of the inside of the Nazi state.Speer, the Minister of Armaments and War Production under Hitler, the man who had kept Germany armed and the war machine running even after Hitler's mystique had faded, takes a brutally honest look at his role in the war effort, giving readers a complete view of the inside of the Nazi state.