"The most revealing, penetrating book on filmmaking I know of . . ."--King Vidor David O. Selznick was a unique figure in the golden Hollywood studio era. He produced some of the greatest and most memorable American films ever made--notably, Rebecca, A Star Is Born, Anna Karenina, A Farewell to Arms, and, above all, Gone With the Wind. Selznick's absolute power and artistic control are evidenced in his impassioned, eloquent, witty, and sometimes rageful memos to directors, writers, stars and studio executives, writings that have become almost as famous as his films. Newsweek wrote,"I can't imagine how a book on the American movie business could be more illuminating, more riveting or more fun to read than this collection of David Selznick's memos.

By the New York Times bestselling author of The Bone Clocks • Now a major motion picture • Shortlisted for the Man Booker PrizeIncludes a new Afterword by David MitchellA postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.Praise for Cloud Atlas “[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review “One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers “Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”—People “The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon “Cloud Atlas ought to make [Mitchell] famous on both sides of the Atlantic as a writer whose fearlessness is matched by his talent.”—The Washington Post Book World

THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENONOVER 20 MILLION COPIES SOLD WORLDWIDETHE BOOK THAT DEFINES PSYCHOLOGICAL THRILLERWho are you?What have we done to each other?These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on his mobile phone. So what really did happen to Nick's beautiful wife?'Flynn is a brilliantly accomplished psychological crime writer and this latest book is so dark, so twisted and so utterly compelling that it actually messes with your mind' DAILY MAIL'A near-masterpiece. Flynn is an extraordinary writer who, with every sentence, makes words do things that other writers merely dream of' SOPHIE HANNAH, Sunday Express'You think you're reading a good, conventional thriller and then it grows into a fascinating portrait of one averagely mismatched relationship...Nothing's as it seems - Flynn is a fabulous plotter, and a very sharp observer of modern life in the aftermath of the credit crunch' THE TIMES'One of the most popular thrillers of the year is also one of the smartest... Flynn's book cleverly outpaces its neo-noir trappings and consistently surprises the reader.' FINANCIAL TIMES

You have survived the crisis—trauma, disease, accident, or war—now how do you get your life back? The shark attacked while she was snorkeling, tearing through Micki Glenn’s breast and shredding her right arm. Her husband, a surgeon, saved her life on the spot, but when she was safely home she couldn’t just go on with her life. She had entered an even more profound survival journey: the aftermath. The survival experience changes everything because it invalidates all your previous adaptations, and the old rules don’t apply. In some cases survivors suffer more in the aftermath than they did during the actual crisis. In all cases, they have to work hard to reinvent themselves. Drawing on gripping cases across a wide range of life-threatening experiences, Laurence Gonzales fashions a compelling argument about fear, courage, and the adaptability of the human spirit. Micki Glenn was later moved to say: “I don’t regret that this happened to me. [It] has been . . . probably the single most positive experience I’ve ever had.”

From the author of Argo comes an unforgettable behind-the-scenes story of espionage in action. In the first ever memoir by a top-level operative to be authorized by the CIA, Antonio J. Mendez reveals the cunning tricks and insights that helped save hundreds from deadly situations.Adept at creating new identities for anyone, anywhere, Mendez was involved in operations all over the world, from "Wild West" adventures in East Asia to Cold War intrigue in Moscow. In 1980, he orchestrated the escape of six Americans from a hostage situation in revolutionary Tehran, Iran. This extraordinary operation inspired the movie Argo, directed by and starring Ben Affleck.The Master of Disguise gives us a privileged look at what really happens at the highest levels of international espionage: in the field, undercover, and behind closed doors.

Stephen King's apocalyptic vision of a world blasted by plague and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published. Soon to be a television series A patient escapes from a biological testing facility, unknowingly carrying a deadly weapon: a mutated strain of super-flu that will wipe out 99 percent of the world's population within a few weeks. Those who remain are scared, bewildered, and in need of a leader. Two emerge--Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious "Dark Man," who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them--and ultimately decide the fate of all humanity. (This edition includes all of the new and restored material first published in The Stand: The Complete And Uncut Edition.)

This brand-new edition of 1001 Movies You Must See Before You Die covers more than a century of movie history. Every film profile is packed with details including the director and cast, a plot summary and production notes, and little-known facts relating to the film's history. Is it any wonder this intensely readable book has sold more than 1.5 million copies world wide? Chronicling the complete history of filmmaking, this important survey dates back to silent-era sensations such as D. W. Griffith's controversial The Birth of a Nation and the immortal Little Tramp movies of Charlie Chaplin. It then covers blockbusters of the more recent past like Gone with the Wind, A Clockwork Orange, Avatar, and The Black Swan. Also described are Hollywood's most memorable musicals, great dramas, screwball comedies, experimental "New Wave" films from 1950s and '60s Europe, major films noir, classic westerns, action and adventure films, and outstanding documentaries. This all-new edition has been updated with: 50 new films 200 new images Key quotations from the movies More movie posters than ever New interesting facts and movie trivia For students of cinema, discerning film buffs, DVD collectors, and readers who simply enjoy reminiscing over cherished screen moments, the 5th edition of 1001 Movies You Must See Before You Die is a must-have compilation of film knowledge.

Boston private investigators Patrick Kenzie and Angela Gennaro are hired to find four-year-old Amanda McCready.Despite extensive news coverage and dogged investigation into her abduction, the police have uncovered nothing. The case is rife with oddities: Amanda's indifferent mother, a couple with a history of paedophilia and a shadowy police unit. As the Indian summer fades, Amanda McCready stays gone - vanished so completely that she seems never to have existed. When a second child disappears, Kenzie and Gennaro face a local media more interested in sensationalizing the abductions than helping to solve them, a local police force seething with lethal secrets, and a faceless power determined to obstruct their efforts. Caught in a deadly tangle of lies, and determined to unravel the riddle that is anything but child's play, they soon discover that those who go looking for the missing may not come back alive.

The Abridged Teaching Edition of A People's History of the United States has made Howard Zinn's original text available specifically for classroom use. With exercises and teaching materials to accompany each chapter, this edition spans American Beginnings, Reconstruction, the Civil War and through to the present, with new chapters on the Clinton Presidency, the 2000 elections, and the "War on Terrorism."

An intellectual dissection of the modern media to show how an underlying economics of publishing warps the news.

As zealots in Washington intensify their preparations for an American attack on Iran, the story of the CIA's 1953 coup-with its many cautionary lessons-is more urgently relevant than ever. All the Shah's Men brings to life the cloak-and-dagger operation that deposed the only democratic regime Iran ever had. The coup ushered in a quarter-century of repressive rule under the Shah, stimulated the rise of Muslim fundamentalism and anti-Americanism throughout the Middle East, and exposed the folly of using violence to try to reshape Iran. Selected as one of the best books of the year by the Washington Post and the Economist, it's essential reading if you want to place the American invasion of Iraq in context-and prepare for what comes next.

You know the authors’ names. You recognize the title. You've probably used this book yourself. And nowThe Elements of Style–the most widely read and employed English style manual–is available in a specially bound 50th Anniversary Edition that offers the title's vast audience an opportunity to own a more durable and elegantly bound edition of this time-tested classic. Offering the same content as the Fourth Edition, revised in 1999, the new casebound 50th Anniversary Edition includes a brief overview of the book's illustrious history. Used extensively by individual writers as well as high school and college students of writing, it has conveyed the principles of English style to millions of readers. This new deluxe edition makes the perfect gift for writers of any age and ability level. Fifty Years of Acclaim forThe Elements of Style, by William Strunk Jr. and E.B. White “I first readElements of Styleduring the summer before I went off to Exeter, and I still direct my students at Harvard to their definition about the difference between 'that' and 'which.' It is the Bible for good, clear writing.” -- Henry Louis Gates Jr. “For writers of all kinds and sizes the world begins and ends with Strunk and White’sElements of Style. Only something to actually write about trumps the list of what is required to put words together in some kind of coherent way. I treasure its presence in my life and salute its fifty years of glory and accomplishment.” -- Jim Lehrer “The Elements of Styleremains an unwavering beacon of light in these grammatically troubled times. I would be lost without it.” -- Ann Patchett "To the extent I know how to write clearly at all, I probably taught myself while I was teaching others -- seventh graders, in Flint, Michigan, in 1967. I taught them with a copy of Strunk & White lying in full view on my desk, sort of in the way the Gideons leave Bibles in cheap hotel rooms, as a way of saying to the hapless inhabitant: ‘In case your reckless ways should strand you here, there's help.’ S&W doesn't really teach you how to write, it just tantalizingly reminds you that there's an orderly way to go about it, that clarity's ever your ideal, but -- really -- it's all going to be up to you." -- Richard Ford “The Elements of Stylenever seems to go out of date. Its counsel is sound and funny, wise and unpretentious. And while its precepts are a foundation of direct communication, Strunk and White do not insist on a way of writing beyond clear expression. The rest is up to the imagination, the intelligence within.” -- David Remnick, editor ofThe New Yorker “It’s the toughness–the irreverence and implicit laughter–that attracted me to the little book when I was seventeen. I fell in love with Strunk & White’s loathing for cant and bloviation, the ruthless cutting of crap, jargon, and extra words. For me, that skeptical directness included a tacit permission byThe Elements of Styleto break its rules on occasion: an alloy of generosity in the blade, a grace I still admire and still learn from.” -- Robert Pinsky “In the quest for clarity, one can have no better guides than Strunk and White. For me, their book has been invaluable and remains essential.” -- Dan Rather "Eschew surplusage! A perfect book." --Jonathan Lethem "Not until I started teaching writing and I rereadThe Elements of Styledid I realize that most everything I would be teaching young writers, and everything I would be learning myself as a writer, was contained between the covers of this slim, elegant, wise little book." -- Julia Alvarez “Strunk and White seared their way into my brain long ago, and I benefit from them daily.” -- Steven J. Dubner, co-author ofFreakonomics “Since high school, I have kept a copy of this book handy. That should be unnecessary. I should, by now, have fully internalizedThe Elements of Style. But sometimes I get entangled in a paragraph that refuses to be ‘clear, brief, bold.’ I dip back intoThe Elements of Styleand am refreshed. After Scott Simon interviewed me on NPR about whether the word ‘e-mail’ needs a hyphen (yes, it does), some listeners, including friends of mine, wondered why I had answered in the affirmative when asked, in passing, ‘Are you a drunken white man?’ Those listeners misheard. ‘Strunk and White man’ was what Scott said.” -- Roy Blount Jr. “Strunk & White--writing's good-natured law firm--still contains enough sparkling good sense to clean up the whole bloviating blogosphere." --Thomas Mallon “I used Strunk -- that’s what we called it, Strunk -- as a student at Berkeley fifty years ago. I didn't know that it was new, and that we were the first generation to be educated inThe Elements of Style. I got a firm foundation in the English language, learned to write basically, and could depict the realistic world. Then I was able to become an impressionist and expressionist.” --Maxine Hong Kingston “Strunk and White's gigantic little book must be the most readable advice on writing ever written. Side by side with Roget, Shakespeare, the Bible, and a dictionary, it's an essential for every writer's shelf.” -- X.J. Kennedy “With what joy I welcome the fiftieth anniversary ofThe Elements of Style. I am greatly indebted to this book for the invaluable help it has given me all these years.” -- Horton Foote “Elegant, droll, and perfectly proportioned, and like your favorite aunt, strict but affectionate. And, like your favorite aunt, full of optimism: You can, and will, be a better writer! There has never been a better, briefer, or more loved book about the art and craft of communicating.” -- Susan Orlean “This book is an essential tool. It has been of great use to me and is probably responsible for my best writing. I owe my success to Strunk and White; only the mistakes are mine.” -- Ben Affleck, inO, the Oprah Magazine “This book is a wonderful example of teaching by example. Not only does it recommend clear and concise writing, it demonstrates it. Written in the style of a friend offering help, it is a godsend to anyone wanting to put words on paper. Thank you, Messieurs Strunk and White. And Happy Anniversary,Elements of Style.” -- S.E. Hinton “When I began to have ... I wouldn't say arguments but conversations in my mind with Strunk and White about a few of their rules and principles, I knew I was coming into my own. If only they were still here to talk things over! No doubt their side of the exchange would be kindly put, well-informed, and wise. They'd probably help me with my side of it. What more could one want from writers reaching out to help other writers?” -- Barbara Wallraff, language columnist for The Atlantic “I don't believe there is a serious writer alive who doesn't have a worn copy of ‘Strunk & White’on his or her bookshelf.” -- Mignon Fogarty, author ofGrammar Girl's Quick and Dirty Tipsfor Better Writing “This little book has inspired hundreds of thousands of people to write better — partly by precept and partly by example. It continues to influence more writers than any other. It’s a force for good in the world.” -- Bryan A. Garner, author ofGarner’s Modern American Usage “I can think of no better guide to good writing, and I always think of this little classic with a warm heart. More importantly, I revisit its pages often. It's the one essential book on writing." -- Jay Parini, author ofWhy Poetry Matters “Clarity and simplicity have always been the goals, and this book shows the way. It has always been a lighthouse in the dark and stormy night of student prose, of all of our prose.” -- Ron Carlson “The only rules you are ever going to get from me are all in Strunk and White.” --Ursula K. Le Guin, fromSteering the Craft “[The Elements of Styleis] a book to which I return from time to time, the way I periodically reread Shakespeare. I always discover something new, settle a question that has been puzzling me, or learn a principle of usage that I have been pretending to know, a pretense that has resulted in inconsistency and in the sort of errors from which I can only pray some saintly copy editor will save me.” -- Francine Prose, fromReadingLike A Writer “…still a little book, small enough and important enough to carry in your pocket, as I carry mine.” -- Charles Osgood “Almost every writer has a Strunk and White story. One journalism professor spends the first two weeks of school forcing his students to memorize the book. A top editor at a major paper buys copies at yard sales to distribute to her writers and interns. It has even caused love affairs. . . . Could its greatness be any more clear?” -- Jesse Sheidlower, American Editor of theOxfordEnglish Dictionary, on NPR “If the English language is one of the finest homes ever devised for the human spirit,Elementsis the best guided house tour we’ve got.” --David Gelernter,The Wall Street Journal “…Should be the daily companion of anyone who writes for a living and, for that matter, anyone who writes at all.” --Jonathan Yardley,Greensboro (N.C.) Daily News “No book in shorter space, with fewer words, will help any writer more than this persistent little volume.” -- Herbert A. Kenny,The Boston Globe “Buy it, study it, enjoy it. It’s as timeless as a book can be in our age of volubility.” -- Charles Poore,The New York Times “White is one of the best stylists and most lucid minds in this country. What he says and his way of saying it are equally rewarding.” --Edmund Fuller,The Wall Street Journal “If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies ofThe Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.” -- Dorothy Parker,Esquire

In Shah of Shahs Kapuscinski brings a mythographer's perspective and a novelist's virtuosity to bear on the overthrow of the last Shah of Iran, one of the most infamous of the United States' client-dictators, who resolved to transform his country into "a second America in a generation," only to be toppled virtually overnight. From his vantage point at the break-up of the old regime, Kapuscinski gives us a compelling history of conspiracy, repression, fanatacism, and revolution.Translated from the Polish by William R. Brand and Katarzyna Mroczkowska-Brand.

In April-May 1994, 800,000 Rwandan Tutsis were massacred by their Hutu fellow citizens--about 10,000 a day, mostly being hacked to death by machete. In Machete Season, the veteran foreign correspondent Jean Hatzfeld reports on the results of his interviews with nine of the Hutu killers. They were all friends who came from a single region where they helped to kill 50,000 out of their 59,000 Tutsi neighbors, and all of them are now in prison, some awaiting execution. It is usually presumed that killers will not tell the truth about their brutal actions, but Hatzfeld elicited extraordinary testimony from these men about the genocide they had perpetrated. He rightly sees that their account raises as many questions as it answers.Adabert, Alphonse, Ignace, and the others (most of them farmers) told Hatzfeld how the work was given to them, what they thought about it, how they did it, and what their responses were to the bloodbath. "Killing is easier than farming," one says. "I got into it, no problem," says another. Each describes what it was like the first time he killed someone, what he felt like when he killed a mother and child, how he reacted when he killed a cordial acquaintance, how 'cutting' a person with a machete differed from 'cutting' a calf or a sugarcane. And they had plenty of time to tell Hatzfeld, too, about whether and why they had reconsidered their motives, their moral responsibility, their guilt, remorse, or indifference to the crimes.Hatzfeld's meditation on the banal, horrific testimony of the genocidaires and what it means is lucid, humane, and wise: he relates the Rwanda horror to war crimes and to other genocidal episodes in human history. Especially since the Holocaust, it has been conventional to presume that only depraved and monstrous evil incarnate could perpetrate such crimes, but it may be, he suggests, that such actions are within the realm of ordinary human conduct. To read this disturbing, enlightening and very brave book is to consider in a new light the foundation of human morality and ethics.

"To make the effort to understand what happened in Rwanda is a painful task that we have no right to shirk–it is part of being a moral adult."–Susan SontagIn the late 1990s, French author and journalist Jean Hatzfeld made several journeys into the hilly, marshy region of the Bugesera, one of the areas most devastated by the Rwandan genocide of April 1994, where an average of five out of six Tutsis were hacked to death with machete and spear by their Hutu neighbors and militiamen. In the villages of Nyamata and N'tarama, Hatzfeld interviewed fourteen survivors of the genocide, from orphan teenage farmers to the local social worker. For years the survivors had lived in a muteness as enigmatic as the silence of those who survived the Nazi concentration camps. In Life Laid Bare, they speak for those who are no longer alive to speak for themselves; they tell of the deaths of family and friends in the churches and marshes to which they fled, and they attempt to account for the reasons behind the Tutsi extermination. For many of the survivors "life has broken down," while for others, it has "stopped," and still others say that it "absolutely must go on."These horrific accounts of life at the very edge contrast with Hatzfeld's own sensitive and vivid descriptions of Rwanda's villages and countryside in peacetime. These voices of courage and resilience exemplify the indomitable human spirit, and they remind us of our own moral responsibility to bear witness to these atrocities and to never forget what can come to pass again. Winner of the Prix France Culture and the Prix Pierre Mille, Life Laid Bare allows us, in the author's own words, "to draw as close as we can get to the Rwandan genocide."

THE NUMBER ONE INTERNATIONAL BESTSELLERWINNER OF THE GOVERNOR GENERAL'S AWARD'Indisputably the best account of the whole terrible Rwandan genocide.' R. W. Johnson, Sunday Times'Angry, accusatory and extremely moving.' Caroline Moorhead, SpectatorWhen Lieutenant General Roméo Dallaire received the call to serve as force commander of the UN mission to Rwanda, he thought he was heading off to Africa to help two warring parties achieve a peace both sides wanted. Instead, he and members of his small international force were caught up in a vortex of civil war and genocide. Dallaire left Rwanda a broken man; disillusioned, suicidal, and determined to tell his story.An award-winning international sensation, Shake Hands with the Devil is a landmark contribution to the literature of war: a remarkable tale of a soldier's courage and an unforgettable portrait of modern warfare. It is also a stinging indictment of the petty bureaucrats who refused to give Dallaire the men and the operational freedom he needed to stop the killing. 'I know there is a God,' Dallaire writes, 'because in Rwanda I shook hands with the devil. I have seen him, I have smelled him and I have touched him. I know the devil exists and therefore I know there is a God.''Read Roméo Dallaire's profoundly sad and moving book.' Madeleine Albright, Washington Post

In 1993, as a 23-year-old correspondent covering the wars in the Balkans, I was initially comforted by the roar of NATO planes flying overhead. President Clinton and other western leaders had sent the planes to monitor the Bosnian war, which had killed almost 200,000 civilians. But it soon became clear that NATO was unwilling to target those engaged in brutal "ethnic cleansing." American statesmen described Bosnia as "a problem from hell," and for three and a half years refused to invest the diplomatic and military capital needed to stop the murder of innocents. In Rwanda, around the same time, some 800,000 Tutsi and opposition Hutu were exterminated in the swiftest killing spree of the twentieth century. Again, the United States failed to intervene. This time U.S. policy-makers avoided labeling events "genocide" and spearheaded the withdrawal of UN peacekeepers stationed in Rwanda who might have stopped the massacres underway. Whatever America's commitment to Holocaust remembrance (embodied in the presence of the Holocaust Museum on the Mall in Washington, D.C.), the United States has never intervened to stop genocide. This book is an effort to understand why. While the history of America's response to genocide is not an uplifting one, "A Problem from Hell" tells the stories of countless Americans who took seriously the slogan of "never again" and tried to secure American intervention. Only by understanding the reasons for their small successes and colossal failures can we understand what we as a country, and we as citizens, could have done to stop the most savage crimes of the last century.

With an introduction by Rory StewartWinner of the Guardian First Book award, a first-hand account one of the defining outrages of modern history.All at once, as it seemed, something we could have only imagined was upon us - and we could still only imagine it. This is what fascinates me most in existence: the peculiar necessity of imagining what is, in fact, real.In 1994, the Rwandan government orchestrated a campaign of extermination, in which everyone in the Hutu majority was called upon to murder everyone in the Tutsi minority. Close to a million people were slaughtered in a hundred days, and the rest of the world did nothing to stop it. A year later, Philip Gourevitch went to Rwanda to investigate the most unambiguous genocide since Hitler's war against the Jews.Hailed by the Guardian as one of the hundred greatest nonfiction books of all time, We Wish To Inform You That Tomorrow We Will Be Killed With Our Families is a first-hand account one of the defining outrages of modern history, an unforgettable anatomy of Rwanda's decimation. As riveting as it is moving, it is a profound reckoning with humanity's betrayal and its perseverance.