When you first saw The Truman Show, did anyone else walk around for the next week not picking your nose JUST in case?

I was 12 when my dad showed me "Gentlemen's Agreement." I just watched it again and it's still lovely.

I think it is a lovely film, and it was fantastically executed by the first time feature director, Hugh and the lovely Zac Efron.

ATTACK THE BLOCK!! I am DEEPLY in love with every scene, actor, frame in this film. Can't wait to watch it so many times I have it memorized

Come on, kids! Let's put on a show! Gorgeous dames hoof their way through this film about putting on a Broadway show and it's heaven. If you haven't seen it, get ready for classic songs you didn't even know you knew, and some of the best tap dancing since that time you watched Christopher Walken in Peter Pan Live!.

Technically an opera, as everything in the film is sung, Catherine Deneuve stars as a humble umbrella salesgirl who falls in love. The look of the film is stunning and sumptuous, and the music is unassuming and lovely. I would also recommend having this on in the background if you're hosting a party.

Rob Marshall brought back the movie musical with this absolutely stunning film. That alone should make me love it but as a bonus, I had just gotten my wisdom teeth out and was on a fair few pain killers when I saw it. On Codeine, "Cell Block Tango" was a life-altering experience.

Yeah, I saw that movie a little late. I saw it probably when I was 18 or something. It was one of those movies where I felt like such an idiot because I had obviously heard about it for years and years. And then you see it and you’re like, “This is great!” and you feel like you’ve discovered something because it’s so great and you want to tell your friends about it, and they’re like, “Yeah, we know, idiot. We’ve been telling you to see it forever.” That same kind of thing happened with Terms of Endearment, and it’s like, “Oh right, there’s a reason that The Breakfast Club and Terms of Endearment are some of the most popular movies of all time.”

Yeah, I saw that movie a little late. I saw it probably when I was 18 or something. It was one of those movies where I felt like such an idiot because I had obviously heard about it for years and years. And then you see it and you’re like, “This is great!” and you feel like you’ve discovered something because it’s so great and you want to tell your friends about it, and they’re like, “Yeah, we know, idiot. We’ve been telling you to see it forever.”

I know this is not the best Woody Allen film I’ve ever seen, but it’s still my personal favorite. Only Woody Allen could mix highbrow Bergman homages and Marx Brothers-esque slapstick. I also love how much fun he seems to be having with the great Diane Keaton. If only there were a blooper reel.

I love all the Bergman films I’ve seen, but this spoke to me personally in a really profound way. I remember feeling very shaken after watching it. I feel like the greatest thing a writer or filmmaker can do is say something so honest that most people wouldn’t be brave enough and that’s what I love about this film. The characters are deeply flawed and sometimes very ugly to each other, but that’s why it’s so effective.

The first time I watched this movie was with a group of friends who are obsessed with it. I asked to watch it again the following three nights. It’s absurd, it has the most amazing cast, and it’s infinitely quotable. It’s a perfect desert island movie.

His Girl Friday is funny because it’s… In that way that I think In Bruges and JCVD are just perfect, it is perfect. It is beyond perfect. It is transcendently flawless for like the first 45 minutes, and then it kind of goes off into crazy town. But you still stay with it, and the tone completely changes and it gets really weird and dark, but I guess that’s what happens in some of those movies. But it’s the perfect distillation of that kind of fast-talking, thin-line-between-love-and-hate style relationship. It would definitely be the kind of movie that, if somebody was trying to get into movies from the ’30s and ’40s and wanted that kind of patter and that kind of style, I would definitely point them in that direction. The Women is my favorite film, but it’s kind of a lot to take in, and I would understand if it scared people off a little bit. Whereas if you watch the first 20 minutes of His Girl Friday, you’re in. It’s like a starter course for that kind of film.

In Bruges is another one like that. It’s just flawless, like, it’s so tight. The ending is perfect. Just when you’re like, “Oh, they’re gonna bring in this Ralph Fiennes character and he’s just not gonna be able to compete with the main cast,” and he just crushes it and is doing something completely different. Oh, he’s just heaven.

That was one of those movies I saw and it’s… I’m sure that there are movies that are more important, you know? But it was one of those movies that I saw, and it was just perfect, if that makes sense. It’s like all movies are like listening to a bunch of different instruments playing at the same time, and suddenly they all sync up for certain moments, and there’s other times where it’s not quite in rhythm. JCVD was just bang-on the entire time. It was just so lean and solid and this perfect blend of dark humor and some really genuinely touching moments. That moment when he goes up into the loft and it’s all very surreal, and he’s crying, I was like, “This is for real, man. This has really got me.”

The Women and Hot Fuzz are just my top two movies. There is The Women, number one, Hot Fuzz, two, and then there’s just a big group of ones that I love.

The Women and Hot Fuzz are just my top two movies. There is The Women, number one, Hot Fuzz, two, and then there’s just a big group of ones that I love.

Favorite No. 3 sequel of another movie franchise “Toy Story 3. That scene where they’re holding hands in the furnace? I weep like a child.”