Updated with New Information and Additional Patches They're on the shoulders of all military personnel: patches showing what a soldier's unit does. But what if that's top secret? “A glimpse of [the Pentagon's] dark world through a revealing lens—patches—the kind worn on military uniforms. . . The book offers not only clues into the nature of the secret programs, but also a glimpse of zealous male bonding among the presumed elite of the military-industrial complex. The patches often feel like fraternity pranks gone ballistic.” —William Broad, The New York Times I COULD TELL YOU. . . is a bestselling collection of more than seventy military patches representing secret government projects. Here author/photographer/investigator Trevor Paglen explores classified weapons projects and intelligence operations by scrutinizing their own imagery and jargon, disclosing new facts about important military units, which are here known by peculiar names (“Goat Suckers,” “Grim Reapers,” “Tastes Like Chicken”) and illustrated with occult symbols and ridiculous cartoons. The precisely photographed patches—worn by military personnel working on classified missions, such as those at the legendary Area 51—reveal much about a strange and eerie world about which little was previously known. “A fresh approach to secret government.” —Steven Aftergood, The Federation of American Scientists “An impressive collection.” —Justin Rood, ABC News “A fascinating set of shoulder patches.” —Stephen Colbert, The Colbert Report “I was fascinated... [Paglen] has assembled about 40 colorful patch insignia from secret, military 'black' programs that are hardly ever discussed in public. He has plenty of regalia from the real denizens of Area 51.” —Alex Beam, The Boston Globe

A Neo Tropical Companion is the first collection of haikus written by Xiu Xiu singer, Jamie Stewart. This is the first time his haikus, which have been featured in several literary journals and small press releases, will be comprehensively collected. Two thirds of the work will include new poems written for specifically for this book. The title, A Neo Tropical Companion, comes from an antiquated guide book to North East South America that Stewart found molding on the ground in the jungle. The poems, written in the classical Japanese poetry form, concern death, uncertainty, cats, being on weird tours, horrible sex, hating other people, bird watching in Guyana, and growing up in a dim and boxed-in valley.

A New York Times Book Review EDITORS' CHOICE. From the National Book Critics Circle Award-winning author of Motherless Brooklyn, comes the vividly told story of Dylan Ebdus growing up white and motherless in downtown Brooklyn in the 1970s. In a neighborhood where the entertainments include muggings along with games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unraveling of the boys' friendship, Lethem creates an overwhelmingly rich and emotionally gripping canvas of race and class, superheros, gentrification, funk, hip-hop, graffiti tagging, loyalty, and memory. "A tour de force.... Belongs to a venerable New York literary tradition that stretches back through Go Tell It on the Mountain, A Walker in the City, and Call it Sleep." --The New York Times Magazine"One of the richest, messiest, most ambitious, most interesting novels of the year.... Lethem grabs and captures 1970s New York City, and he brings it to a story worth telling." --Time

«Путь Бро» – роман Владимира Сорокина. Полноценное и самостоятельное произведение, эта книга является также «приквелом» (предысторией) событий, описанных в романе «Лёд», вышедшем двумя годами ранее, и составляет первую книгу трилогии.

Алексей Сальников родился в 1978 году в Тарту. Публиковался в альманахе «Вавилон», журналах «Воздух», «Урал», «Волга». Автор трех поэтических сборников. Лауреат премии «ЛитератуРРентген» (2005) и финалист «Большой книги». Живет в Екатеринбурге. «Пишет Сальников как, пожалуй, никто другой сегодня – а именно свежо, как первый день творения. На каждом шагу он выбивает у читателя почву из-под ног, расшатывает натренированный многолетним чтением „нормальных“ книг вестибулярный аппарат. Все случайные знаки, встреченные гриппующими Петровыми в их болезненном полубреду, собираются в стройную конструкцию без единой лишней детали. Из всех щелей начинает сочиться такая развеселая хтонь и инфернальная жуть, что Мамлеев с Горчевым дружно пускаются в пляс, а Гоголь с Булгаковым аплодируют...» Галина Юзефович

With an introduction by Philipp Meyer.The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full.Set in the anarchic world opened up by America's westward expansion, Blood Meridian by Cormac McCarthy is an epic and potent account of the barbarous violence that man visits upon man. Through the hostile landscape of the Texas-Mexico border wanders the Kid, a fourteen year-old Tennessean who is quickly swept-up in the relentless tide of blood. But the apparent chaos is not without its order: while Americans hunt Indians – collecting scalps as their bloody trophies – they too are stalked as prey.Since its first publication in 1985, Blood Meridian has been read as both a brilliant subversion of the Western novel and a blazing example of that form. Powerful and savagely beautiful, it has emerged as one of the most important works in American fiction of the last century. A truly mesmerizing classic.

In judging the 'The History of the Decline and Fall of the Roman Empire' it should carefully be observed that it falls into two parts which are heterogeneous in the method of treatment. The first part, a little more than five-eighths of the work, supplies a very full history of 460 years (A.D. 180–641); the second and smaller part is a summary history of about 800 years (A.D. 641–1453) in which certain episodes are selected for fuller treatment and so made prominent. To the first part unstinted praise must be accorded; it may be said that, with the materials at the author’s disposition, it hardly admitted of improvement, except in trifling details. But the second, notwithstanding the brilliancy of the narrative and the masterly art in the grouping of events, suffers from a radical defect which renders it a misleading guide. The author designates the story of the later empire at Constantinople (after Heraclius) as “a uniform tale of weakness and misery,” a judgment which is entirely false; and in accordance with this doctrine, he makes the empire, which is his proper subject, merely a string for connecting great movements which affected it, such as the Saracen conquests, the Crusades, the Mongol invasions, the Turkish conquests. He failed to bring out the momentous fact that up to the 12th century the empire was the bulwark of Europe against the East, nor did he appreciate its importance in preserving the heritage of Greek civilization. He compressed into a single chapter the domestic history and policy of the emperors from the son of Heraclius to Isaac Angelus; and did no justice to the remarkable ability and the indefatigable industry shown in the service of the state by most of the sovereigns from Leo III. to Basil II. He did not penetrate into the deeper causes underlying the revolutions and palace intrigues. His eye rested only on superficial characteristics which have served to associate the name “Byzantine” with treachery, cruelty, bigotry and decadence. It was reserved for Finlay to depict, with greater knowledge and a juster perception, the lights and shades of Byzantine history. Thus the later part of the Decline and Fall, while the narrative of certain episodes will always be read with profit, does not convey a true idea of the history of the empire or of its significance in the history of Europe. It must be added that the pages on the Slavonic peoples and their relations to the empire are conspicuously insufficient; but it must be taken into account that it was not till many years after Gibbon’s death that Slavonic history began to receive due attention, in consequence of the rise of competent scholars among the Slavs themselves. This is volume eight out of twelve.

Infinite Jest is the name of a movie said to be so entertaining that anyone who watches it loses all desire to do anything but watch it. People die happily, viewing it in endless repetition. The novel Infinite Jest is the story of this addictive entertainment, and in particular how it affects a Boston halfway house for recovering addicts and a nearby tennis academy, whose students have many budding addictions of their own. As the novel unfolds, various individuals, organizations, and governments vie to obtain the master copy of Infinite Jest for their own ends, and the denizens of the tennis school and the halfway house are caught up in increasingly desperate efforts to control the movie - as is a cast including burglars, transvestite muggers, scam artists, medical professionals, pro football stars, bookies, drug addicts both active and recovering, film students, political assassins, and one of the most endearingly messed-up families ever captured in a novel. On this outrageous frame hangs an exploration of essential questions about what entertainment is, and why it has come to so dominate our lives; about how our desire for entertainment interacts with our need to connect with other humans; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. The huge cast and multilevel narrative serve a story that accelerates to a breathtaking, heartbreaking, unforgettable conclusion. It is an exuberant, uniquely American exploration of the passions that make us human - and one of those rare books that renew the very idea of what a novelcan do.

Пустить красного петуха и поймать золотую рыбку – лишь малая толика того, что должен совершить за день опричник, надежда и опора государства российского. Слово и дело – его девиз, верность начальству – его принцип, двоемыслие – его мораль, насилие – его инструмент. Повесть Владимира Сорокина “День опричника” – это и балаганное действо, способное рассмешить до колик, и неутешительное предсказание. Опричник отлично себя чувствует в сорокинской Москве недалекого будущего – потому что он незаменим.“День опричника”, впервые изданный в 2006 году, переведен на двадцать языков. В 2013 году повесть вошла в шорт-лист Международной премии Букера.

Troubled by an inability to find any meaning in his life, the 25-year-old narrator of this deceptively simple novel quits university and eventually arrives at his brother's New York apartment. In a bid to discover what life is all about, he writes lists. He becomes obsessed by time and whether it actually matters. He faxes his meteorologist friend. He endlessly bounces a ball against the wall. He befriends a small boy who lives next door. He yearns to get to the bottom of life and how best to live it. Funny, friendly, enigmatic and frequently poignant - superbly naive.

The new complete edition of a timeless classic that includes the never-before-published Part Four and Last Words by Richard Bach.This is the story for people who follow their hearts and make their own rules…people who get special pleasure out of doing something well, even if only for themselves…people who know there’s more to this living than meets the eye: they’ll be right there with Jonathan, flying higher and faster than they ever dreamed.A pioneering work that wed graphics with words, Jonathan Livingston Seagull now enjoys a whole new life.

Every weekend, in basements and parking lots across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded for as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight Club is the invention of Tyler Durden, projectionist, waiter and dark, anarchic genius. And it's only the beginning of his plans for revenge on a world where cancer support groups have the corner on human warmth.

Andy, Dag and Claire have been handed a society beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fallout of yuppies, recession, crack and Ronald Reagan, they represent the new generation- Generation X. Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working in no future McJobs in the service industry.Underemployed, overeducated and intensely private and unpredicatable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories: disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposible Swedish furniture.

Yossarian is a hero endlessly inventive in his schemes to save his skin from the horrible chances of war, and his efforts are perfectly understandable because as he furiously scrambles, thousands of people he hasn't even met are trying to kill him.

You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.

Думай медленно… решай быстро (англ. Thinking, Fast and Slow — «Быстрое и медленное мышление», 2011) — книга-бестселлер (по версии New York Times) в 2011 году, написанная Даниэлем Канеманом, психологом, профессором Принстонского университета (США), лауреатом Нобелевской премии по экономике 2002 г. за «применение психологической методики в экономической науке, в особенности — при исследовании формирования суждений и принятия решений в условиях неопределенности».

Petunia Evans married a biochemist, and Harry Potter grew up in a house filled to the brim with books, reading science and science fiction. Then came the Hogwarts letter, introducing strange new opportunities to exploit. And new friends, like Hermione Granger, and Draco Malfoy, and Professor Quirrell. HP:MoR is now complete at 122 chapters and 2000 pages.Authors notes, fan art, alternative formats, and other information may be found at http://www.hpmor.com/ .This mirror contains both the the flowing text directly from https://www.fanfiction.net/s/5782108, and the book style PDF from the tex code at https://github.com/rjl20/hpmorIf you have suggestions, or wish to report a problem regarding this version of HP:MoR, contact me at [email protected] and I will try to fix it.

This book chronicles the spiritual evolution of a man living in India at the time of the Buddha--a tale that has inspired generations of readers. We are invited along Siddhartha's journey experiencing his highs, lows, loves, and disappointments along the way. Hesse begins by showing us the life of a privileged brahmin's son. Handsome, well-loved, and growing increasingly dissatisfied with the life expected of him, Siddhartha sets out on his journey, not realizing that he is fulfilling the prophesies proclaimed at his birth. Siddhartha blends in with the world, showing the reader the beauty and intricacies of the mind, nature, and his experiences on the path to enlightenment. Sherab Chodzin Kohn's flowing, poetic translation conveys the philosophical and spiritual nuances of Hesse's text, paying special attention to the qualities of meditative experience. Also included is an extensive introduction by Paul W. Morris that discusses the impact "Siddhartha" has had on American culture.

SOON TO BE A FEATURE FILM!This Hugo Award-winning graphic novel chronicles the fall from grace of a group of super-heroes plagued by all-too-human failings. Along the way, the concept of the super-hero is dissected as the heroes are stalked by an unknown assassin.One of the most influential graphic novels of all time and a perennial bestseller, WATCHMEN has been studied on college campuses across the nation and is considered a gateway title, leading readers to other graphic novels such as V FOR VENDETTA, BATMAN: THE DARK KNIGHT RETURNS and THE SANDMAN series.