The last piece of music is from the film Koyaanisqatsi, and it's called Prophecies by Phillip Glass. The soundtrack and the film is entirely made of imagery and has no conventional narrative. (32 m 50 s)

The best movie scores they always leave a space for the imagery and I think John Barry is just one of the great composers. (29 m 45 s)

Trying to choose one David Bowie song to take with you is very very difficult. David Bowie's personas were so different, when you discovered was like "who is your Doctor Who? or who is your James Bond?". For me, it was David Bowie of "Let's Dance" or his "Pop Star" era, that I had the most nostalgic attachment to and Loving the Alien comes of the album "Tonight" which is his follow up to "Let's Dance." (21 m 10 s)

It's a remarkable film score, because it is done in a very futuristic way. It is in a way nostalgia, nostalgia for a future. It is an interesting concept. (17 m 50 s)

Schubert's Fantasia for Piano Duet, my father was obsessed with music, he played this for a friend of his some years ago, before he died. The thing that I remember about it is hearing two talented amateurs playing this as a very strong theme and the parts wandered off in the different places and then come back for the theme. (13 m 35 s)

This track is one of my favorites. It's Radiohead. It came out in 1997, it was important time in my life. ( 9 m 18 s)

Hanz is a composer I work with a lot, and this is one of his best film scores. It is from Terrence Malick's Thin Red Line. It's a carefully structured, minimalist piece of composition. It has a wonderful ability to make whatever images that are in the scene more vital. ( 04 m 50 s)

I love the music to Blade Runner. I'm a big movie score fan and David and I loved what Vangelis done for Blade Runner here with synthesizer, I think it is really extraordinary. (16 m 28 s)

It was more about the particular feeling on the way it came in. I just loved it. (12 m 45 s)