"The Lion, The Witch And The Wardrobe" introduced readers to the wonders and enchantment of Narnia when it was first published almost fifty years ago. Since then the hearts and imaginations of millions of readers have been captured by the story of Peter, Susan, Edmund, and Lucy, who step through a magic wardrobe into Narnia, once the peaceful land of Talking Beasts, Dwarfs, Giants, and Fauns, but now frozen into winter by the evil White Witch. Now, in this special gift-book edition of C.S. Lewis's timeless classic, the orignal illustrator of "The Chronicles of Narnia, " Pauline Baynes, has created beautiful new full-color plates for each chapter. Peter, Susan, Edmund, and Lucy; Mr. and Mrs. Beaver; Mr. Tumnus, the Faun; the White Witch; and, of course, Aslan the Great Lion, guardian of Narnia -- all spring vividly to life in these richly detailed paintings. This glorious, finely wrought book makes the perfect introduction to all the wonders of Narnia and will be a keepsake to treasure forever.

New York Times BestsellerMilkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world."You can't go wrong by reading or re-reading the collected works of Toni Morrison. Beloved, Song of Solomon, The Bluest Eye, Sula, everything else — they're transcendent, all of them. You’ll be glad you read them."--Barack Obama

‘The Joy Luck Club is an ambitious saga that’s impossible to read without wanting to call your Mum’ StylistDiscover Amy Tan’s moving and poignant tale of immigrant Chinese mothers and their American-born daughters.In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts.

In The Kite Runner, Amir and Hassan grow up together in Afghanistan like brothers, although they couldn't be more different. Amir is the son of a wealthy businessman, a Sunni Muslim, a Pashtun, and he's educated and reads voraciously. Hassan's father is a servant to Amir's father, and Hassan is a Sh'ia Muslim, a Hazara, he's illiterate, and he has a harelip. But neither boy has a mother and they spend their boyhoods roaming the streets of Kabul together. Amir, though, continually uses his superior position to taunt or abuse Hassan, and one day hides in fear as Hassan is beaten mercilessly by bullies. The Soviet invasion of Aghanistan sends Amir's family to the United States, but he returns there as an adult during the Taliban rule to atone for his sins to Hassan.

With an introduction by Arnold Rampersad "The Library of America has insured that most of Wright's major texts are now available as he wanted them to be read." --Alfred Kazin, New York Times Book Review Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny: by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection of the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America. "This new edition gives us a Native Son in which the key line in the key scene is restored to the great good fortune of American letters. The scene as we now have it is central both to an ongoing conversation among African-American writers and critics and to the consciousness among all American readers of what it means to live in a multi-racial society in which power splits among racial lines." --Jack Miles, Los Angeles Times