50 years of an iconic classic! This international bestseller and inspiration for a beloved movie is a heroic story of friendship and belonging.Cover may vary. No one ever said life was easy. But Ponyboy is pretty sure that he's got things figured out. He knows that he can count on his brothers, Darry and Sodapop. And he knows that he can count on his friends—true friends who would do anything for him, like Johnny and Two-Bit. But not on much else besides trouble with the Socs, a vicious gang of rich kids whose idea of a good time is beating up on “greasers” like Ponyboy. At least he knows what to expect—until the night someone takes things too far.The Outsiders is a dramatic and enduring work of fiction that laid the groundwork for the YA genre. S. E. Hinton's classic story of a boy who finds himself on the outskirts of regular society remains as powerful today as it was the day it was first published."The Outsiders transformed young-adult fiction from a genre mostly about prom queens, football players and high school crushes to one that portrayed a darker, truer world." —The New York Times"Taut with tension, filled with drama." —The Chicago Tribune"[A] classic coming-of-age book." —Philadelphia Daily NewsA New York Herald Tribune Best Teenage BookA Chicago Tribune Book World Spring Book Festival Honor BookAn ALA Best Book for Young AdultsWinner of the Massachusetts Children's Book Award

Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veröffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Großteil vergriffen oder nur noch antiquarisch erhältlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bücher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Förderung der Kultur. Sie trägt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten.

Named one of the most important nonfiction books of the 21st century by Entertainment Weekly‚ Slate‚ Chronicle of Higher Education‚ Literary Hub, Book Riot‚ and Zora A tenth-anniversary edition of the iconic bestseller—"one of the most influential books of the past 20 years," according to the Chronicle of Higher Education—with a new preface by the author "It is in no small part thanks to Alexander's account that civil rights organizations such as Black Lives Matter have focused so much of their energy on the criminal justice system." —Adam Shatz, London Review of Books Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists and organizations motivated by Michelle Alexander's unforgettable argument that "we have not ended racial caste in America; we have merely redesigned it." As the Birmingham News proclaimed, it is "undoubtedly the most important book published in this century about the U.S." Now, ten years after it was first published, The New Press is proud to issue a tenth-anniversary edition with a new preface by Michelle Alexander that discusses the impact the book has had and the state of the criminal justice reform movement today.

In the late 1990s and early 2000s, a wave of TV shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television's inventiveness, emotional resonance and ambition. Shows such as The Wire, Breaking Bad, The Sopranos, Mad Men, Deadwood, The Shield tackled issues of life and death, love and sexuality, addiction, race, violence and existential boredom. Television shows became the place to go to see stories of the triumph and betrayals of the American Dream at the beginning of the twenty-first century. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and "difficult" as the conflicted protagonists that defined the genre. Given the chance to make art in a maligned medium, they fell upon the opportunity with unchecked ambition.Difficult Men features extensive interviews with all the major players, including David Chase and James Gandolfini (The Sopranos), David Simon, Dominic West and Ed Burns (The Wire), Vince Gilligan (Breaking Bad), Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue, Deadwood) and Alan Ball (Six Feet Under), in addition to dozens of other writers, directors, studio executives and actors. Martin takes us behind the scenes of our favourite shows, delivering never-before-heard story after story and revealing how TV has emerged from the shadow of film to become a truly significant and influential part of our culture. Brett Martin is the author of The Supranos: The Book(2007). His work has appeared in The New York Times, The New Yorker, Food and Wine and Vanity Fair. Difficult Men is an insightful history of popular US TV drama which traces the emergence of shows such as The Sopranos, Breaking Bad, Mad Men and The Wire, and explores their engagement with important social issues around love, sexuality, race and violence.

Today the Book remains the most reliable and illuminating account of Renaissance court life and of what it took to be the "Perfect Courtier" and "Court Lady." The Singleton translation—the most acclaimed and accurate available—is accompanied by annotations. "Criticism" features ten essays on The Book of the Courtier, which represent the best interpretations from the United States, Italy, and England including the backgrounds-rich essays by Amedeo Quondam and James Hankins. A Selected Bibliography, a Chronology, and an Index are included.

Two Englishmen meeting on a train to Berlin in 1930 kick off one of Isherwood’s most enduring novels On a train to Berlin in late 1930, William Bradshaw locks eyes with Arthur Norris, an irresistibly comical fellow Englishman wearing a rather obvious wig and nervous about producing his passport at the frontier. So begins a friendship conducted in the seedier quarters of the city, where Norris runs a dubious import-export business and lives in excited fear of his bullying secretary,his creditors, and his dominatrix girlfriend, Anni. As the worldwide economic Depression strangles the masses and the Communists make a desperate stand against Fascism and war, Norris sells himself as political orator, spy, and double agent. He also sells his friends. Like its companion novel, Goodbye to Berlin, Mr Norris Changes Trains offers unforgettable characters struggling in the vortex as the Nazis rise to power.

"FROM THE AUTHOR OF THE BESTSELLING BIOGRAPHIES OF BENJAMIN FRANKLIN AND ALBERT EINSTEIN, THIS IS THE EXCLUSIVE BIOGRAPHY OF STEVE JOBS. Based on more than forty interviews with Jobs conducted over two years--as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues--Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing. At a time when America is seeking ways to sustain its innovative edge, and when societies around the world are trying to build digital-age economies, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering. Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted. Driven by demons, Jobs could drive those around him to fury and despair. But his personality and products were interrelated, just as Apple's hardware and software tended to be, as if part of an integrated system. His tale is instructive and cautionary, filled with lessons about innovation, character, leadership, and values"--