So to me the story was a simple linear story, but in Alejandro’s hands, of course, it becomes a sort of visual, existential poetry. Not a lot of directors wanted to take this on because of how difficult it would be to shoot. The script had been floating around for a couple of years. It wasn’t until Alejandro was attached to this man’s struggle in nature that it got going. I reread it and met him again, and I decided to embark on what I would characterize as more of a chapter of my life than a film commitment—because it was epic in every sense of the word.