Brings together all of Kael's writings for The New Yorker over the past four years, including her famous profile of Cary Grant and her reviews of some two hundred films of the late 1970s
Tarantino read New Yorker film critic Pauline Kael’s 1980 book at 16 and, according to a 1992 interview with Positif, “[I] thought, ‘Someday maybe I’ll be able to understand a movie like she does.’”