F— man. It’s incredible. It’s great. It’s, I dunno, it’s harrowing and it’s also deeply funny, extremely entertaining. It’s about a not-too-distant time in the future of Japan in which kids have become unruly in classrooms.

Oh, oh, Night of the Hunter. That’s just a film that… It was actually recommended to me by Fran Walsh, Peter Jackson’s wife. I think it’s her favorite film of all time. I’d never really seen anything like it because it’s kind of a film noir set in the South.

Léon. Or, as it’s known in the United States, The Professional. But in France it’s called Léon. It’s so weird because for years I’d always called it The Professional and then for some reason it switched in my mind. I mean, that movie was an amazing blend of an international eye within the context of an American… That movie still feels extremely international, certainly with its lead actor but also the way that it was shot and made.

Jean-Pierre Jeunet is a filmmaker that I’ve since followed, you know, throughout his career and I think he’s one of my favorites and a kind of, you know, a very distinctive voice in France, but that film still I think is probably my favorite of his. I feel like he kind of almost returned to form a little bit with Micmacs.

Harvey is one of my all-time favorite films. This movie I saw when I was younger and I feel like it struck a chord with me, then, probably primarily because of Jimmy Stewart’s performance and the kind of magic that is this character that he refers to that we don’t see as an audience. But I think… I loved it and I’ve watched it many times since, and it’s a movie that has gotten more profound for me as I’ve gotten older, and I feel I’ve gotten different things out of it every time.