A film adaptation of the novel of the same name by Boris Blednyy. A graduate of the culinary technical school of the cook, Tosya Kislitsyna, a naive and eccentric girl, came to the village lost in the northern forests. She sticks her nose in all affairs, seeks to help everyone. She met Ilya on the day of arrival: the "first guy in the village" fell upon her indignantly, and in the evening, to brighten up an unpleasant meeting, she decided to "make happy" with an invitation to a dance and was refused. Not accustomed to refusals, Ilya argues with Filya that during the week he will fall in love with Tosya...

Two high school kids meet in class and fall madly in love with each other. Unfortunately, His father and her mother had a history of their own between them which creates uneasiness in both of them. Also because of that, the boy's mother is very jealous and tries to separate them. The only person that tries to help them is their teacher who has relationship problems of her own.

Немолодой чиновник уже давно подозревает жену в неверности. Его наихудшие предчувствия оправдываются в юбилей их свадьбы, когда он, чтобы поздравить жену, с букетом цветов является домой раньше обычного. Супруги не оказывается дома, постель разобрана, вещи разбросаны, а на туалетном столике лежит скандальный роман Поля де Кока "Муж без жены". В смятении, в расстроенных чувствах, чиновник бросается искать супругу по всему Петербургу...

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?